{"id":124,"date":"2019-06-25T14:33:06","date_gmt":"2019-06-25T12:33:06","guid":{"rendered":"http:\/\/dia-succari.com\/site\/?page_id=124"},"modified":"2019-07-16T17:00:58","modified_gmt":"2019-07-16T15:00:58","slug":"biographie-uk","status":"publish","type":"page","link":"http:\/\/dia-succari.com\/site\/biographie-uk\/","title":{"rendered":"Biographie UK"},"content":{"rendered":"
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Dia SUCCARI was born in Aleppo, Syria, in 1938 and died in 2010. He studied music with his father and with Michael Boricenko before going on to the Conservatoire National Supe\u0301rieur de Musique de Paris in 1951 (13 years old) where he studied theory with Henri Challan, Noe\u0308l Gallon,Marcel Bitsch and Jeanine Rueff and composition with Tony Aubin and Olivier Messiaen and conducting with Robert Blot and Manuel Rosenthal.There he obtained first prizes (Harmony, Conterpoint, Fugue and Composition classes). He was an active composer<\/strong>, occasionally conductor<\/strong> and teacher<\/strong> in Paris since 1969.<\/p>\n

He was professor of theory at the Conservatoire National de Re\u0301gion de Paris and at the Universite\u0301 Paris Sorbonne, and taugh music training at the Conservatoire de Suresnes.<\/p>\n

His musical compositions were various: instrumental, lyrical, solo, chamber and orchestral.
\nHe also wrote didactic books about theory (solfege, harmony,counterpoint..).<\/p>\n

He studied in depth the musical Maquams and their rhythmic versatility which is quite recognizable in his compositions written in a classical language, without simplify or modify traditional arabic music but polishing it with a western veneer influenced by great French composers such as Debussy, Ravel, Faure\u0301 and others. The outcome called Dia Succari, neither oriental nor european but the both.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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He opened new horizons in Arabic music. Among his essential works:
\n\u2022 Syrian suite for piano (Jobert Ed.)
\n\u2022 The night of destiny for piano (Jobert Ed.)
\n\u2022 Album from folklore, violin and piano (Fertile Plaine Ed.)
\n\u2022 Yakza for oriental instruments, voices and orchestra
\n\u2022 Forget what you have learnt for speaker, voices and orchestra
\n\u2022 Sin fl\u00fbte and violin (Billaudot Ed.)
\n\u2022 Ur Nina, song, clarinet and piano (Fertile Plaine Ed.)
\n\u2022 Trio for piano,violin and cello
\n\u2022 Baal and Anat for stings
\n\u2022 Silex’s sparkle for chamber orchestra
\n\u2022 Forgotten splendours for orchestra
\n\u2022 When the morning reveals it lights for violon and orchestra<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/dia-succari.com\/site\/wp-json\/wp\/v2\/pages\/124"}],"collection":[{"href":"http:\/\/dia-succari.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/dia-succari.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/dia-succari.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/dia-succari.com\/site\/wp-json\/wp\/v2\/comments?post=124"}],"version-history":[{"count":7,"href":"http:\/\/dia-succari.com\/site\/wp-json\/wp\/v2\/pages\/124\/revisions"}],"predecessor-version":[{"id":276,"href":"http:\/\/dia-succari.com\/site\/wp-json\/wp\/v2\/pages\/124\/revisions\/276"}],"wp:attachment":[{"href":"http:\/\/dia-succari.com\/site\/wp-json\/wp\/v2\/media?parent=124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}